ON-SITE EVENTS
View more...Save the date! Tuesday, March 16, 2010. 4:00PM - 9:00PM
Tim Smith, Canon camera guru and their rep for Superbowl this year, tells all about the 5D MkII upgrade and EOS plug in for FCP. We will be taking questions about using these cameras on set and looking at the latest and greatest accessories from Redrock, Zeiss, Arri and, of course, our own B&S brand.
You will NOT want to miss this!
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Features
| • | Native 1920 x 1080 imagers for 4:2:2 10-bit, master quality recording with built-in AVC-Intra codec | |
| • | Selectable AVC-Intra & DVCPRO HD/50 codecs | |
| • | 24p, 25p, 30p, 50i, 60i formats | |
| • | High sensitivity of F10 at 1,000 lux in 1080i and a minimum illumination of .064 lx (at +56db gain-up) | |
| • | Advanced 14-bit Digital Signal Processing (DSP) circuit with A/D conversion and 12-axis independent color compensation and detail. | |
| • | Chromatic Aberration Compensation (CAC) 1 function compensates for and reduces lens error that may appear with very high-resolution recording | |
| • | Three-level Dynamic Range Stretch (DRS) function that varies the gamma correction to match the contrast within the image | |
| • | Ultra versatility of P2 HD recording, including instant recording startup | |
| • | Fast, flexible on-set workflow for immediate access to video content | |
| • | Four channels 48-kHz/16-bit digital audio | |
| • | Flip-out, 3.5-inch color LCD monitor | |
| • | Optional HD/SD-SDI input for external line recording | |


